1593-1648 French Louis Le Nain Gallery French family of painters. Antoine Le Nain (b Laon, c. 1600; bur Paris, 26 May 1648) and his brothers Louis Le Nain (b Laon, c. 1600; bur Paris, 24 May 1648) and Mathieu Le Nain (b Laon, c. 1607; bur Paris, 26 April 1677) lived together and shared a studio in Paris. Since the studio was headed by Antoine, he is assumed to have been older than Louis. The brothers reputation rests on a number of paintings signed Le Nain, on the basis of which other paintings (but no drawings) have also been attributed to them. None of the signed paintings bears a Christian name, and there is no secure way of attributing works to the individual brothers, although many attempts have been made. Eighteenth-century sale catalogues, fearful of anonymity, effectively chose from the three names at random. Since the writings of Witt (1910) and Jamot (1922) in particular, it has been habitual to ascribe small paintings on copper to Antoine, and austere, larger peasant scenes to Louis. This division of hands will be found in almost all the subsequent literature on the artists, although it must be stressed that there is no evidence at all to support it. Great efforts have also been made to identify works by Mathieu, since he survived his brothers by nearly 30 years and presumably continued to paint after their deaths in 1648. However, no such activity after 1648 is securely documented, and none of the surviving works bears a date later than 1647; and the arguments for a separate Mathieu oeuvre, though cogent, should not be regarded as conclusive. The outstanding feature of the work of the Le Nain brothers, and the basis of their celebrity since the mid-19th century, is the artists treatment of the poor.  Related Paintings of Louis Le Nain :. | Venus in the Forge of Vulcan (df01) | Peasants at their Cottage Door | The Cart or Return from Haymaking | Peasants at their Cottage Door,undated (mk08) | Landscape with bondfolk |
Related Artists:
Yasuo Kuniyoshi
Japanese-born American Photographer, 1893-1953 was an American painter, photographer and printmaker born in Okayama, Japan. He migrated to America in 1906, a year later began studying at the Los Angeles School of Art and Design. In 1935 he was awarded the Guggenheim Fellowship. He was known for his still-life paintings of common objects, female circus performers and nudes. He died in New York City.
Charles Loring Elliott
1812-1868. Elliott was born at Auburn, New York in the central part of the state. He began working as a painter in his region. After 10 years, he moved to New York City to study art under the painters John Trumbull and John Quidor, as well as to be in a bigger market for work. After practicing portrait painting in central New York State for 10 years, Elliott took up residence in New York City in 1845. The following year he was elected to the National Academy of Design, which was a measure of recognition and helped him attract more clients. Painting by Elliott of Samuel Putnam Avery, 1863Elliott was considered the best portraitist of his day. Although he never studied abroad, his technique is neither provincial nor uncertain. His method is mature, his drawing firm, his color fresh and clean, and his likenesses excellent, though somewhat lacking in sentiment.[citation needed] He was said to have painted over 700 portraits, mostly heads, as he had little idea of the composition of large canvases. He also painted figure pieces, including Don Quijote and Falstaff, and one landscape, The Head of Skaneateles Lake.
abel faivre
Il tudie trois ans l'École des beaux-arts de Lyon, puis a la Societe nationale et a l'Academie Julian de Paris aupres de Jules Lefebvre et Benjamin Constant. Il a souvent expose a la societe des Artistes Francais et a ete medaille de 3e classe a l'Exposition de 1894. Medaille d'honneur a l'Exposition de Lyon, il aurait vecu et travaill?? a La Croix-Valmer (Var) ou un boulevard porte son nom. Il est devenu celebre par ses affiches pour soutenir l'effort de guerre francais (1914-1918). Il a egalement travaille pour le journal humoristique Le Rire et pour Le Figaro. Ses caricatures sont visibles au Musee Jean Jaures a Castres. À titre indicatif, un exemplaire original de son affiche Sports d'Hiver, Chamonix datant de 1905 etait estime a 6000 £ par une celebre salle de ventes en 2002. Une huile sur toile La Belle Odalisque (89x61 cm) se vendit 8 000 euros en 2006.